Hablaba Unamuno de la inmortalidad como el motor de la existencia. El ansia del más allá y de perdurar en la otra vida como un propósito de ésta. La duda, la curiosidad o el qué pasará cuando le llegue el turno a Caronte.
Tiscci cuenta, con una colección meláncolica, lo que ocurre en el mundo del más allá. Lo que ocurre cuando pasas el Arco de Triunfo romano y te encuentras con la moneda en la boca.
Cuenta que, tras pasar por un lecho de rosas, que cuenta tu recuerdo por los que aún quedan en el mundo del aquí; te encuentras como un guerrero perdido.
Uno nunca sabe hasta dónde llegan las dependencias del Varhalla y, las valkirias hace mucho que dejaron de ser de confianza.
Desconocidos, espíritus, fantasmas, seres, entes, Inmemoriales milenarios que recorren las lagunas del río de Caronte. Damas perdidas, princesas recluídas en su torre sin caballero que las recogiese, generales heridos, enlutados, tremendísimos compañeros de viaje al fin del mundo.
Las Moiras, el destino. Las ninfas. El fatalismo, la belleza, la igualdad.
El vanitas caduco de Valdés Leal. Princesas, reinas y demás nobleza en el mismo barco donde moran el resto de mortales. Compartiendo llantos y dolores, angustias y rencores hacia la otra vida. Por la nueva vida.
Cortesanas, burguesas, anfitrionas. Amantes, queridas, plañideras. Herederas, desheredadas y trepas. Esposas, madres, monjas. Musas de autores ya muertas. Inspiración, divina muerta.
Ninfeas y Arias tristes. Jardines lejanos. Almas de Violeta.
Y, tras el lecho de rosas....
La muerte.
O Givenchy...
44 comentarios:
ahora que lo dices.... veo en la colección tintes más oscuros de lo que me pensaba, muy vestales eso sí. holly, pero qué bonito... y no había prestado atención al séptimo que has posteado y es precioso. un abrazo y XX!
Me ha parecido flojilla, no sé por qué, y eso que Givenchy me suele gustar mucho!
Me ha encantado la colección así como el post. Gracias Holly.
A mí me ha pasado que después de dos defiles que me parecieron aburridísimos ahora me cautiva otra vez, me gusta mucho.
ME ENCANTA LA ORIGINALIDAD DE EST BLOG. APRECIO MUCHO LA CAPACIDAD DE COMBINAR UN TEXTO DE ODA CON AIRES LITERARIOS CON LAS IMAGENES DE LAS COLECCIONES, SE APATE DE LOS TIPICOS POSTEOS QUE ESTAN EN TOOODOS LOS BLOGS CON LAS IMAGENES DE LOS DESFILES Y MAS O MENOS LOS MISMOS COMENTARIOS
BESOS Y SUERTE
Hummingbird.Es precioso. Un beso
Elena. A mí no. Ésto no es Givenchy, es otra cosa... Un beso
Ana. De nada. Un beso
Sr Q. Tiene un buen concepto, siempre el mismo, pero bueno... Un beso
Tefimelon. Gracias. Es un placer tener lectores que lo saben disfrutar. Un beso
increible este post, felicidades.
Claire_fisher.
Hombre, Givenchy NO es, eso por descontado, y que Hubert esté vivo, todavía me duele más. Pero las colecciones de Tisci no están mal, muy modernas eso sí, pero hay cosas chulas...esta es una sosez. Es verdad que otras casas de moda han apostado por nuevos aires(Lagerfeld, Elbaz, Galliano)pero conservando al mismo tiempo el espíritu de la firma. En Givenchy, Balenciaga o YSL no lo han conseguido, aunque Tisci, N Guesquière y Pilati sean muy buenos. Un besote
Claire. Muchas gracias. Un beso
Elena. A mí no me duele. Cada uno sabe lo que deja tras de sí. Hubert es un diseñador muerto, técnicamente hablando. Un gran pasado, una gran casa, una gran identidad en Mss Hepburn.
Tisci no es Givenchy. Es Tiscci. Como Galliano no es Dior, es Galliano y Largerfeld no es Chanel, es Lagerfeld. De esa premisa partimos.
A mi Givenchy de Tiscci no me gusta.Otra cosa es que la colección esté bien. O mal. Pero es, como siempre otro tema. Un beso Elena
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